Our everyday wedding grade — daylight through golden hour, skin kept true on every complexion we photograph.
Tungsten, fairy lights and smoke, recovered clean at the ISO a mehndi actually demands.
Monochrome with film grain and halation — three contrast curves, for the frames that were never about colour.
“The mehndi profiles alone paid for themselves in one wedding.”
Buy the plates separately, or take the edition — every profile we grade with, kept current.